{"id":116229,"date":"2026-08-09T19:05:44","date_gmt":"2026-08-09T16:05:44","guid":{"rendered":"https:\/\/prizrenpost.com\/al\/cdo-te-na-thote-christopher-nolan-me-odisene-e-tij\/"},"modified":"2026-08-09T19:05:44","modified_gmt":"2026-08-09T16:05:44","slug":"cdo-te-na-thote-christopher-nolan-me-odisene-e-tij","status":"publish","type":"post","link":"https:\/\/prizrenpost.com\/al\/cdo-te-na-thote-christopher-nolan-me-odisene-e-tij\/","title":{"rendered":"\u00c7\u2019do t\u00eb na thot\u00eb Christopher Nolan me \u201cOdisen\u00eb\u201d e tij?"},"content":{"rendered":"
\"\u00c7\u2019do<\/figure>\n

Christopher Nolan e nd\u00ebrton \u201cOdisen\u00eb\u201d mbi disa nivele kuptimi. Ideja m\u00eb e dukshme lidhet me fajin dhe p\u00ebrgjegj\u00ebsin\u00eb e tij morale. Filmi sugjeron se udh\u00ebtimi i heroit nuk \u00ebsht\u00eb vet\u00ebm nj\u00eb kthim fizik n\u00eb Itak\u00eb, por nj\u00eb proces nd\u00ebrgjegj\u00ebsimi.<\/p>\n

Osidea duhet t\u00eb p\u00ebrballet me pasojat e mashtrimit t\u00eb Kalit t\u00eb Troj\u00ebs, nj\u00eb veprim q\u00eb ai e sheh si shkelje t\u00eb nj\u00eb ligji t\u00eb pashkruar q\u00eb mbante t\u00eb bashkuar bot\u00ebn e lasht\u00eb.<\/p>\n

Greket e paraqit\u00ebn Kalin e Troj\u00ebs si nj\u00eb dhurat\u00eb, por n\u00eb t\u00eb v\u00ebrtet\u00eb ai ishte nj\u00eb akt tradhtie dhe dhune. P\u00ebr Nolan, kjo lidhet me shkeljen e besimit dhe t\u00eb marr\u00ebveshjeve q\u00eb mbajn\u00eb n\u00eb k\u00ebmb\u00eb shoq\u00ebrit\u00eb.<\/p>\n

Shkat\u00ebrrimi i Troj\u00ebs b\u00ebhet nj\u00eb metafor\u00eb p\u00ebr kriz\u00ebn e rendit nd\u00ebrkomb\u00ebtar modern, ku prishja e rregullave t\u00eb p\u00ebrbashk\u00ebta mund t\u00eb \u00e7oj\u00eb n\u00eb pasoja shkat\u00ebrruese. Por filmi ofron edhe nj\u00eb lexim tjet\u00ebr, m\u00eb t\u00eb fsheht\u00eb.<\/p>\n

Q\u00eb n\u00eb fillim shfaqet fjalia: \u201cN\u00eb nj\u00eb epok\u00eb t\u00eb magjis\u00eb s\u00eb dukshme!\u201d. Ky \u00ebsht\u00eb nj\u00eb sinjal se ajo q\u00eb shohim si magji mund t\u00eb jet\u00eb di\u00e7ka tjet\u00ebr. Edhe pse filmi \u00ebsht\u00eb plot me p\u00ebrbind\u00ebsha dhe p\u00ebrmend vazhdimisht per\u00ebndit\u00eb, ato n\u00eb fakt nuk shfaqen kurr\u00eb si qenie reale.<\/p>\n

Atena, t\u00eb cil\u00ebn Osidea e sheh dhe me t\u00eb cil\u00ebn flet gjat\u00eb udh\u00ebtimit, mund t\u00eb jet\u00eb nj\u00eb krijim i mendjes s\u00eb tij. N\u00eb fund kuptohet se ai mund t\u2019i ket\u00eb dh\u00ebn\u00eb form\u00ebn e nj\u00eb vajze trojane, Kasandr\u00ebs, z\u00ebrit t\u00eb tij t\u00eb brendsh\u00ebm.<\/p>\n

Ky interpretim lidhet me teorin\u00eb e \u201cmendjes dydhom\u00ebshe\u201d t\u00eb psikologut Julian Jaynes, sipas s\u00eb cil\u00ebs njer\u00ebzit e lasht\u00eb mund t\u2019i p\u00ebrjetonin mendimet e tyre si z\u00ebra t\u00eb jasht\u00ebm, duke i atribuar ato per\u00ebndive.<\/p>\n

Kjo ide lidhet me nj\u00eb tem\u00eb t\u00eb p\u00ebrs\u00ebritur n\u00eb filmat e Christopher Nolan: kufiri i paqart\u00eb mes realitetit dhe iluzionit. N\u00eb \u201cMemento\u201d, protagonisti mashtron veten; n\u00eb \u201cInception\u201d, personazhet luftojn\u00eb p\u00ebr t\u00eb dalluar realitetin nga \u00ebndrra; n\u00eb \u201cThe Prestige\u201d, mashtrimi \u00ebsht\u00eb pjes\u00eb e profesionit t\u00eb tyre.<\/p>\n

Nj\u00eb tjet\u00ebr ide e r\u00ebnd\u00ebsishme n\u00eb filmat e Nolan \u00ebsht\u00eb se k\u00ebrc\u00ebnimi m\u00eb i madh nuk vjen nga \u201ct\u00eb tjer\u00ebt\u201d, por nga vet\u00eb njer\u00ebzit. N\u00eb \u201cInterstellar\u201d, alien\u00ebt rezultojn\u00eb t\u00eb jen\u00eb njer\u00ebzit e s\u00eb ardhmes.<\/p>\n

Edhe tek \u201cOdisea\u201d, nuk ka nj\u00eb armik t\u00eb jasht\u00ebm q\u00eb shkat\u00ebrron qytet\u00ebrimin grek: vet\u00eb grek\u00ebt jan\u00eb p\u00ebrgjegj\u00ebs p\u00ebr fatin e tyre.<\/p>\n

Edhe IOdiesa p\u00ebrshtatet me figur\u00ebn tipike t\u00eb heroit t\u00eb Nolanit: nj\u00eb njeri jasht\u00ebzakonisht inteligjent, por i r\u00ebnduar nga faji. Ashtu si Batmani apo Robert Oppenheimeri, ai \u00ebsht\u00eb nj\u00eb person q\u00eb duhet t\u00eb jetoj\u00eb me pasojat e veprimeve t\u00eb tij.<\/p>\n

P\u00ebr k\u00ebt\u00eb arsye, disa veprime t\u00eb tij n\u00eb film paraqiten si forma vet\u00ebshkat\u00ebrrimi. Kur plagos Polifemin edhe pasi \u00ebsht\u00eb larguar prej tij, ai e b\u00ebn jo nga nevoja, por nga zem\u00ebrimi dhe krenaria. Ky veprim sjell hakmarrjen e Poseidonit.<\/p>\n

Po ashtu, kur ha me d\u00ebshir\u00eb lulen e lotusit, ai praktikisht heq dor\u00eb p\u00ebrkoh\u00ebsisht nga d\u00ebshira p\u00ebr t\u2019u kthyer n\u00eb sht\u00ebpi. Vet\u00ebm kur p\u00ebrballet me fajin dhe pranon p\u00ebrgjegj\u00ebsin\u00eb mund t\u00eb rikthehet.<\/p>\n

Nj\u00eb nga ndryshimet m\u00eb t\u00eb m\u00ebdha nga poema e Homerit \u00ebsht\u00eb m\u00ebnyra si filmi trajton Kalin e Troj\u00ebs. N\u00eb tradit\u00ebn klasike ai \u00ebsht\u00eb nj\u00eb mashtrim i zgjuar q\u00eb sjell fitoren e grek\u00ebve; te Nolan ai b\u00ebhet nj\u00eb veprim p\u00ebr t\u00eb cilin Ulisi duhet t\u00eb pendohet.<\/p>\n

Kjo lidhet me nj\u00eb tjet\u00ebr tem\u00eb t\u00eb regjisorit: historit\u00eb q\u00eb njer\u00ebzit tregojn\u00eb nuk jan\u00eb gjithmon\u00eb t\u00eb v\u00ebrteta.<\/p>\n

N\u00eb film, rr\u00ebfimet p\u00ebr Odisean shpesh jan\u00eb t\u00eb ndryshuara, t\u00eb zbukuruara ose t\u00eb rreme. Por Nolan nuk sugjeron se kjo \u00ebsht\u00eb domosdoshm\u00ebrisht di\u00e7ka negative.<\/p>\n

P\u00ebrkundrazi, filmi argumenton se tregimet jan\u00eb gjithmon\u00eb interpretime t\u00eb realitetit. Ato ndryshojn\u00eb me kalimin e koh\u00ebs dhe marrin forma t\u00eb reja.<\/p>\n

N\u00eb fund, \u201cOdissea\u201d e Nolan \u00ebsht\u00eb edhe nj\u00eb reflektim mbi vet\u00eb kineman\u00eb: m\u00ebnyr\u00ebn se si njer\u00ebzit krijojn\u00eb mite, kujtojn\u00eb t\u00eb kaluar\u00ebn dhe nd\u00ebrtojn\u00eb histori. E v\u00ebrteta dhe shpikja nuk jan\u00eb gjithmon\u00eb kund\u00ebrshtare. Shpesh historia njer\u00ebzore ekziston pik\u00ebrisht n\u00eb hap\u00ebsir\u00ebn mes tyre. tesheshi.com<\/p>\n

\n

Burimi: tesheshi<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Christopher Nolan e nd\u00ebrton \u201cOdisen\u00eb\u201d mbi disa nivele kuptimi. Ideja m\u00eb e dukshme lidhet me fajin dhe p\u00ebrgjegj\u00ebsin\u00eb e tij morale. Filmi sugjeron se udh\u00ebtimi i heroit nuk \u00ebsht\u00eb vet\u00ebm nj\u00eb kthim fizik n\u00eb Itak\u00eb, por nj\u00eb proces nd\u00ebrgjegj\u00ebsimi. Osidea duhet t\u00eb p\u00ebrballet me pasojat e mashtrimit t\u00eb Kalit t\u00eb Troj\u00ebs, nj\u00eb veprim q\u00eb ai […]<\/p>\n","protected":false},"author":1,"featured_media":116228,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-116229","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kulture"],"_links":{"self":[{"href":"https:\/\/prizrenpost.com\/al\/wp-json\/wp\/v2\/posts\/116229","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/prizrenpost.com\/al\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/prizrenpost.com\/al\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/prizrenpost.com\/al\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/prizrenpost.com\/al\/wp-json\/wp\/v2\/comments?post=116229"}],"version-history":[{"count":0,"href":"https:\/\/prizrenpost.com\/al\/wp-json\/wp\/v2\/posts\/116229\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/prizrenpost.com\/al\/wp-json\/wp\/v2\/media\/116228"}],"wp:attachment":[{"href":"https:\/\/prizrenpost.com\/al\/wp-json\/wp\/v2\/media?parent=116229"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/prizrenpost.com\/al\/wp-json\/wp\/v2\/categories?post=116229"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/prizrenpost.com\/al\/wp-json\/wp\/v2\/tags?post=116229"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}