![](\"https:\/\/prizrenpost.com\/al\/wp-content\/uploads\/2025\/12\/Chateau_de_Pregny_2-1536x1024-1-6.jpg\")
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Historia e familjes Rothschild \u00ebsht\u00eb identifikuar p\u00ebr shekuj me bankat, kredit\u00eb shtet\u00ebrore, verarit\u00eb q\u00eb vendosin \u00e7mime rekord dhe shp\u00ebrndarjen e pasuris\u00eb n\u00eb t\u00eb gjith\u00eb planetin. Shkurt, emri \u00ebsht\u00eb i barabart\u00eb me fuqin\u00eb ekonomike. Megjithat\u00eb, fundi i vitit 2025 e gjen k\u00ebt\u00eb dinasti globale p\u00ebrball\u00eb nj\u00eb konflikti t\u00eb brendsh\u00ebm q\u00eb shkon p\u00ebrtej treguesve ekonomik\u00eb.<\/p>\n
N\u00eb qend\u00ebr nuk \u00ebsht\u00eb nj\u00eb bank\u00eb apo nj\u00eb marr\u00ebveshje biznesi prej miliarda dollar\u00ebsh, por nj\u00eb sht\u00ebpi. Jo \u00e7far\u00ebdo sht\u00ebpie, megjithat\u00eb, por rezidenca emblematike baroniale n\u00eb Zvic\u00ebr. Ch\u00e2teau de Pregny, nj\u00eb kull\u00eb me vler\u00eb t\u00eb pa\u00e7muar si sht\u00ebpi, me thesare arti po aq t\u00eb pa\u00e7muara q\u00eb thuhet se strehon. Nj\u00eb hap\u00ebsir\u00eb \u200b\u200bprivate q\u00eb \u00ebsht\u00eb krahasuar me nj\u00eb \u201cmini Luv\u00ebr\u201d, p\u00ebr shkak t\u00eb pjes\u00ebve t\u00eb rralla t\u00eb nj\u00eb koleksioni q\u00eb vet\u00ebm an\u00ebtar\u00ebt e familjes kan\u00eb mund\u00ebsin\u00eb t\u2019i admirojn\u00eb. Dhe jo t\u00eb gjitha, me sa duket.<\/p>\n
Ch\u00e2teau de Pregny, me pamje nga brigjet e qeta t\u00eb Liqenit t\u00eb Gjenev\u00ebs, nuk \u00ebsht\u00eb thjesht nj\u00eb pron\u00eb. \u00cbsht\u00eb nj\u00eb depo kulture dhe nj\u00eb simbol familjar q\u00eb bashkon mobiljet e epok\u00ebs s\u00eb Luigjit XVI, veprat klasike spanjolle dhe flamande dhe koleksione t\u00eb rralla objektesh historike. Raportet e p\u00ebrshkruajn\u00eb hap\u00ebsir\u00ebn si t\u00eb till\u00eb q\u00eb p\u00ebrmban piktura q\u00eb u atribuohen piktor\u00ebve t\u00eb njohur si Goya, Rembrandt, El Greco, Fragonard dhe Boucher. Ka edhe koleksione t\u00eb vjetra aristokratike n\u00eb ambientet e saj. Nj\u00eb martes\u00eb e vler\u00ebs artistike dhe kujtes\u00ebs kulturore q\u00eb \u00ebsht\u00eb e v\u00ebshtir\u00eb t\u00eb gjendet jasht\u00eb muzeve t\u00eb klasit bot\u00ebror.<\/p>\n
Ky mini-muze \u00ebsht\u00eb b\u00ebr\u00eb fronti i ri n\u00eb nj\u00eb mosmarr\u00ebveshje komplekse familjare. Nga nj\u00ebra an\u00eb \u00ebsht\u00eb 93-vje\u00e7arja Nadine de Rothschild, e veja e Edmond de Rothschild, i cili i p\u00ebrkiste deg\u00ebs franko-zvicerane t\u00eb dinastis\u00eb. Nadine, pas dekadash jete familjare dhe pranie shoq\u00ebrore, pretendon se burri i saj i kishte l\u00ebn\u00eb trash\u00ebgim nj\u00eb pjes\u00eb t\u00eb r\u00ebnd\u00ebsishme t\u00eb koleksionit dhe tani po k\u00ebrkon ta nxjerr\u00eb at\u00eb nga sht\u00ebpia familjare n\u00eb m\u00ebnyr\u00eb q\u00eb t\u00eb krijoj\u00eb nj\u00eb muze t\u00eb ri t\u00eb aksesuesh\u00ebm publikisht n\u00eb Gjenev\u00eb. Kund\u00ebrshtarja e saj \u00ebsht\u00eb Ariane de Rothschild, e cila tani mban titullin e Baronesh\u00ebs si e veja e Benjaminit, djalit t\u00eb vet\u00ebm t\u00eb \u00e7iftit Edmond-Nadine, i cili vdiq n\u00eb vitin 2021. Si drejtuese e Grupit Edmond de Rothschild, nj\u00eb entitet i madh financiar, Ariane argumenton se koleksioni duhet t\u00eb mbetet i paprekur n\u00eb Ch\u00e2teau de Pregny, duke ruajtur trash\u00ebgimin\u00eb e bashkuar t\u00eb familjes n\u00eb t\u00eb nj\u00ebjtin mjedis natyror q\u00eb ka strehuar veprat p\u00ebr breza. Dhe sigurisht, larg syrit t\u00eb publikut.<\/p>\n
Drama familjare nuk kufizohet vet\u00ebm n\u00eb mosmarr\u00ebveshje t\u00eb thjeshta. T\u00eb dy pal\u00ebt jan\u00eb p\u00ebrfshir\u00eb n\u00eb nj\u00eb s\u00ebr\u00eb betejash ligjore q\u00eb zbulojn\u00eb tensione m\u00eb t\u00eb thella mbi t\u00eb drejtat e em\u00ebrtimit, aksesin n\u00eb vet\u00eb sht\u00ebpin\u00eb dhe pron\u00ebsin\u00eb e objekteve brenda saj. N\u00eb nj\u00ebr\u00ebn nga betejat e para, Ariane humbi p\u00ebrpjekjen e saj p\u00ebr t\u00eb ndaluar Nadine, vjehrr\u00ebn e saj, nga p\u00ebrdorimi i emrit t\u00eb Edmond p\u00ebr fondacionin e saj bamir\u00ebs. N\u00eb t\u00eb kund\u00ebrt, Nadine koh\u00ebt e fundit humbi t\u00eb drejtat ligjore p\u00ebr t\u00eb hyr\u00eb n\u00eb vet\u00eb k\u00ebshtjell\u00ebn, duke demonstruar se mosmarr\u00ebveshja familjare \u00ebsht\u00eb p\u00ebrshkall\u00ebzuar n\u00eb nj\u00eb luft\u00eb t\u00eb plot\u00eb ligjore. Nj\u00eb barazim, p\u00ebr momentin.<\/p>\n
Thell\u00ebsia e kriz\u00ebs pasqyron gjithashtu nj\u00eb mosmarr\u00ebveshje m\u00eb t\u00eb gjer\u00eb, m\u00eb praktike sesa filozofike. Nadine e sheh artin si di\u00e7ka q\u00eb duhet t\u00eb admirohet nga gjithnj\u00eb e m\u00eb shum\u00eb njer\u00ebz, duke u b\u00ebr\u00eb nj\u00eb trash\u00ebgimi publike p\u00ebrmes nj\u00eb muzeu. Ariane, nga ana tjet\u00ebr, k\u00ebmb\u00ebngul q\u00eb koleksioni ka kuptim vet\u00ebm si nj\u00eb entitet i vet\u00ebm i trash\u00ebguar, duke ruajtur nj\u00eb lidhje me historin\u00eb familjare n\u00eb vendin q\u00eb e pret at\u00eb.<\/p>\n
N\u00eb nj\u00eb bot\u00eb ku koleksionet e m\u00ebdha private rrall\u00eb shohin drit\u00ebn e dit\u00ebs, rasti i familjes Rothschild \u00ebsht\u00eb unik jo vet\u00ebm p\u00ebr shkak t\u00eb emrit, por edhe p\u00ebr shkak t\u00eb natyr\u00ebs s\u00eb koleksionit.<\/p>\n
Rothschild\u00ebt kan\u00eb ruajtur nj\u00eb \u201ckultur\u00eb heshtjeje\u201d rreth trash\u00ebgimive t\u00eb tyre p\u00ebr dekada, madje duke u ndaluar fotograf\u00ebve dhe vizitor\u00ebve kurioz\u00eb t\u00eb dokumentojn\u00eb p\u00ebrmbajtjen e Ch\u00e2teau de Pregny. Kjo ka nxitur trillime dhe thashetheme rreth vler\u00ebs dhe r\u00ebnd\u00ebsis\u00eb s\u00eb objekteve, duke e b\u00ebr\u00eb k\u00ebt\u00eb mosmarr\u00ebveshje jo vet\u00ebm private, por edhe nj\u00eb \u00e7\u00ebshtje kurioziteti nd\u00ebrkomb\u00ebtar. Nadine ka punuar shum\u00eb p\u00ebr t\u00eb treguar se nuk \u00ebsht\u00eb e shk\u00ebputur nga origjina e saj \u201ce p\u00ebrulur\u201d. Nga nj\u00eb rrobaqep\u00ebse n\u00eb nj\u00eb pun\u00ebtore fabrike dhe nj\u00eb modele, p\u00ebrpara se t\u00eb martohej me Edmondin dhe t\u00eb b\u00ebhej an\u00ebtare e nj\u00eb prej familjeve m\u00eb t\u00eb famshme n\u00eb bot\u00eb, ajo p\u00ebrpiqet t\u2019i shtoj\u00eb nj\u00eb dimension njer\u00ebzor nj\u00eb beteje q\u00eb p\u00ebrndryshe mund t\u00eb dukej thjesht formale. Por Ariane, e cila mban edhe titullin institucional, p\u00ebrfaq\u00ebson nj\u00eb brez t\u00eb ri menaxher\u00ebsh t\u00eb trash\u00ebgimis\u00eb bot\u00ebrore q\u00eb po p\u00ebrpiqen t\u00eb balancojn\u00eb privaten me publiken.<\/p>\n
Ky mosmarr\u00ebveshje nuk ka gjasa t\u00eb zgjidhet menj\u00ebher\u00eb. Gjykatat zvicerane ende po shqyrtojn\u00eb pretendimet p\u00ebr pron\u00ebsin\u00eb e veprave t\u00eb artit dhe artefakteve. N\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb, t\u00eb gjith\u00eb an\u00ebtar\u00ebt e familjes, madje edhe nga deg\u00eb t\u00eb larg\u00ebta, po thirren t\u00eb marrin q\u00ebndrim dhe t\u00eb mb\u00ebshtesin nj\u00ebr\u00ebn pal\u00eb ose tjetr\u00ebn, duke e p\u00ebrgjith\u00ebsuar mosmarr\u00ebveshjen. Por p\u00ebrtej fush\u00ebs ligjore, ajo q\u00eb po zbulohet \u00ebsht\u00eb nj\u00eb pyetje themelore: \u00e7far\u00eb do t\u00eb thot\u00eb t\u00eb jesh mbrojt\u00ebs i nj\u00eb thesari kulturor n\u00eb nj\u00eb epok\u00eb kur koleksionet private ndoshta kan\u00eb t\u00eb nj\u00ebjt\u00ebn pesh\u00eb si muzet\u00eb publik\u00eb? Dhe kush vendos se si do t\u00eb ruhet dhe si do t\u00eb jet\u00eb ky thesar n\u00eb syt\u00eb e publikut apo jo?<\/p>\n
Burimi: tesheshi<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" Historia e familjes Rothschild \u00ebsht\u00eb identifikuar p\u00ebr shekuj me bankat, kredit\u00eb shtet\u00ebrore, verarit\u00eb q\u00eb vendosin \u00e7mime rekord dhe shp\u00ebrndarjen e pasuris\u00eb n\u00eb t\u00eb gjith\u00eb planetin. Shkurt, emri \u00ebsht\u00eb i barabart\u00eb me fuqin\u00eb ekonomike. Megjithat\u00eb, fundi i vitit 2025 e gjen k\u00ebt\u00eb dinasti globale p\u00ebrball\u00eb nj\u00eb konflikti t\u00eb brendsh\u00ebm q\u00eb shkon p\u00ebrtej treguesve ekonomik\u00eb. N\u00eb qend\u00ebr […]<\/p>\n","protected":false},"author":1,"featured_media":89682,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-89681","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kulture"],"_links":{"self":[{"href":"https:\/\/prizrenpost.com\/al\/wp-json\/wp\/v2\/posts\/89681","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/prizrenpost.com\/al\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/prizrenpost.com\/al\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/prizrenpost.com\/al\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/prizrenpost.com\/al\/wp-json\/wp\/v2\/comments?post=89681"}],"version-history":[{"count":1,"href":"https:\/\/prizrenpost.com\/al\/wp-json\/wp\/v2\/posts\/89681\/revisions"}],"predecessor-version":[{"id":89683,"href":"https:\/\/prizrenpost.com\/al\/wp-json\/wp\/v2\/posts\/89681\/revisions\/89683"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/prizrenpost.com\/al\/wp-json\/wp\/v2\/media\/89682"}],"wp:attachment":[{"href":"https:\/\/prizrenpost.com\/al\/wp-json\/wp\/v2\/media?parent=89681"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/prizrenpost.com\/al\/wp-json\/wp\/v2\/categories?post=89681"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/prizrenpost.com\/al\/wp-json\/wp\/v2\/tags?post=89681"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}