{"id":24196,"date":"2026-01-28T14:50:36","date_gmt":"2026-01-28T13:50:36","guid":{"rendered":"https:\/\/prizrenpost.com\/tr\/qosja-kadaredeki-rehinem\/"},"modified":"2026-01-28T14:50:37","modified_gmt":"2026-01-28T13:50:37","slug":"qosja-kadaredeki-rehinem","status":"publish","type":"post","link":"https:\/\/prizrenpost.com\/tr\/qosja-kadaredeki-rehinem\/","title":{"rendered":"Qosja: Kadare’deki rehinem!"},"content":{"rendered":"

<\/p>\n

Hayat\u0131 boyunca Kadare ile Arnavutlar\u0131n kimli\u011fi konusunda \u00e7ok fazla s\u00fcrt\u00fc\u015fme ya\u015fayan akademisyen Rrexhep Qosja, \u00f6l\u00fcm\u00fcn\u00fcn birinci y\u0131l d\u00f6n\u00fcm\u00fcnde \u00fcnl\u00fc yazara bir not ithaf etti. Yeniden okuma davetine devam etmek i\u00e7in notun ba\u015f\u0131ndaki ki\u015fiyi “ola\u011fan\u00fcst\u00fc bir yarat\u0131c\u0131” olarak adland\u0131r\u0131yor.<\/p>\n

Burada Qosja, Kadare ile olan tan\u0131\u015f\u0131kl\u0131\u011f\u0131n\u0131n yan\u0131 s\u0131ra aralar\u0131ndaki ili\u015fkinin devam\u0131na dair bir \u00f6zet getiriyor.<\/p>\n

Tabii ki, yazar olan ki\u015finin erdemlerini g\u00f6lgelemeden onunla olan anla\u015fmazl\u0131klardan ve tart\u0131\u015fmalardan da bahsediyor.<\/p>\n

“Bug\u00fcn, 28 Ocak’ta, 2026, B\u00fcy\u00fck Arnavut yazar \u0130smail Kadare’nin do\u011fumunun 90. y\u0131l d\u00f6n\u00fcm\u00fc, ola\u011fan\u00fcst\u00fc bir yarat\u0131c\u0131n\u0131n do\u011fum g\u00fcn\u00fc ama ayn\u0131 zamanda bir anma g\u00fcn\u00fcd\u00fcr, \u00e7\u00fcnk\u00fc \u0130smail Kadare art\u0131k aram\u0131zda de\u011fil, geride kendi d\u00f6neminin ve dilinin s\u0131n\u0131rlar\u0131n\u0131 a\u015fan bir eser b\u0131rakm\u0131\u015ft\u0131r. Romanlar\u0131, denemeleri, \u015fiirleri ve gazetecili\u011fiyle Arnavutlar\u0131n tarihsel, mitolojik ve ahlaki haritas\u0131n\u0131 deneyimleyen yazard\u0131r. Sayg\u0131de\u011fer ses, \u0130smail Kadare ile yetmi\u015fli y\u0131llardan beri yak\u0131n\u0131z, birbirimizin dostu, muhatab\u0131, okuyucusu ve ele\u015ftirmeniydik ve ikimiz de s\u0131n\u0131r\u0131n kendi taraf\u0131ndayd\u0131k, kendi tercihimiz olmayan ama bize dayat\u0131lan tarihi, siyasi ve sosyal ko\u015fullar bizi sadece dayan\u0131kl\u0131l\u0131k de\u011fil, ayn\u0131 zamanda zorlu ki\u015fisel s\u0131navlarla da kar\u015f\u0131 kar\u015f\u0131ya b\u0131rakt\u0131. <\/p>\n

\u0130smail’in 1990 y\u0131l\u0131nda Fransa’da Kadare’ye siyasi s\u0131\u011f\u0131nma talebi, o zaman\u0131n ahlaki a\u011f\u0131rl\u0131\u011f\u0131n\u0131 anlamayan bir\u00e7ok ki\u015fi taraf\u0131ndan yanl\u0131\u015f anla\u015f\u0131ld\u0131. Medyada kamuoyuna yap\u0131lan \u00e7e\u015fitli a\u00e7\u0131klamalarda ve \u00f6zellikle VOA’ya yapt\u0131\u011f\u0131m a\u00e7\u0131klamada, bu eylemin vatandan bir ka\u00e7\u0131\u015f de\u011fil, \u00f6zg\u00fcr d\u00fc\u015f\u00fcnceye g\u00f6r\u00fcnmez ancak demirden s\u0131n\u0131rlar koyan bir sistemin reddi oldu\u011funu d\u00fc\u015f\u00fcnd\u00fcm.<\/p>\n

Kadare kendini kurtarmak i\u00e7in de\u011fil, kurtarmak i\u00e7in ko\u015ftu. Onun \u00e7al\u0131\u015fmas\u0131 ve \u00f6zg\u00fcrl\u00fc\u011f\u00fc, entelekt\u00fcel ve ahlaki bir eylemdi: Diktat\u00f6rl\u00fc\u011f\u00fcn sessiz \u015fiddeti kar\u015f\u0131s\u0131nda \u00f6zg\u00fcr ifadeyi se\u00e7mesi. Tarih, \u00f6zg\u00fcrl\u00fc\u011f\u00fc arayan yazar\u0131n, milleti m\u00fcmk\u00fcn olan en y\u00fcksek \u015fekilde terk etmedi\u011fini kan\u0131tlad\u0131. En me\u015fhur tart\u0131\u015fmam\u0131z, Arnavutlar\u0131n kimli\u011fi meselesiyle ilgiliydi; bunlar, insan hayat\u0131nda oldu\u011fu gibi, ki\u015fisel ili\u015fkimizde de kesi\u015fmedi. Do\u011fumunun 90. y\u0131ld\u00f6n\u00fcm\u00fcnde \u00f6nemli bir \u015feyi vurgulama ihtiyac\u0131 hissediyorum: Yazar olarak b\u00fcy\u00fckl\u00fc\u011f\u00fc ve Arnavut k\u00fclt\u00fcr\u00fc i\u00e7in tarihsel \u00f6nemi her t\u00fcrl\u00fc anla\u015fmazl\u0131\u011f\u0131n \u00f6tesindedir. Edebiyat, ki\u015fisel anla\u015fmalar veya anla\u015fmazl\u0131klarla de\u011fil, d\u00fc\u015f\u00fcnce derinli\u011fi, dilin g\u00fcc\u00fc ve uzun vadeli etkisi ile \u00f6l\u00e7\u00fcl\u00fcr. \u0130smail Kadare, her \u015feyden \u00f6nce \u00fclkesi i\u00e7in bir yazard\u0131 ve olmaya devam ediyor Belki de bunu tarihi, dramay\u0131 ve Arnavut ruhunu b\u00fcy\u00fck edebiyata d\u00f6n\u00fc\u015ft\u00fcrerek istedi. Kitaplar, tart\u0131\u015fmalar ve k\u00fclt\u00fcrel bir tutsakl\u0131k de\u011fil de Arnavut k\u00fclt\u00fcr\u00fcne olan sevgimiz aras\u0131nda ge\u00e7en bu iki hayata birlikte kadeh kald\u0131rsayd\u0131k ne kadar anlaml\u0131 ve insani olurdu diye d\u00fc\u015f\u00fcnmemek m\u00fcmk\u00fcn de\u011fil, \u00e7\u00fcnk\u00fc bug\u00fcn \u0130smail Kadare’nin okunmas\u0131na, yeniden okunmas\u0131na, anla\u015f\u0131lmas\u0131na gerek yok. Gelecek nesiller onu farkl\u0131 okuyacaklar ve ona tapacaklar. Do\u011fumunun 90. Y\u0131ld\u00f6n\u00fcm\u00fc, Arnavut k\u00fclt\u00fcr\u00fcn\u00fcn bize meydan okumaya ve ilham vermeye devam edecek \u00f6nemli bir tarihi fig\u00fcr\u00fc olmaya devam ediyor. Seni sevgi ve sayg\u0131yla an\u0131yorum, sonsuzluk, sonsuzluk: ge\u00e7mi\u015f, \u015fimdi ve gelecek.”<\/p>\n

\n

Kaynak: prizrenpost<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Hayat\u0131 boyunca Kadare ile Arnavutlar\u0131n kimli\u011fi konusunda \u00e7ok fazla s\u00fcrt\u00fc\u015fme ya\u015fayan akademisyen Rrexhep Qosja, \u00f6l\u00fcm\u00fcn\u00fcn birinci y\u0131l d\u00f6n\u00fcm\u00fcnde \u00fcnl\u00fc yazara bir not ithaf etti. Yeniden okuma davetine devam etmek i\u00e7in notun ba\u015f\u0131ndaki ki\u015fiyi “ola\u011fan\u00fcst\u00fc bir yarat\u0131c\u0131” olarak adland\u0131r\u0131yor. Burada Qosja, Kadare ile olan tan\u0131\u015f\u0131kl\u0131\u011f\u0131n\u0131n yan\u0131 s\u0131ra aralar\u0131ndaki ili\u015fkinin devam\u0131na dair bir \u00f6zet getiriyor. Tabii ki, […]<\/p>\n","protected":false},"author":1,"featured_media":24197,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-24196","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur"],"views":47,"_links":{"self":[{"href":"https:\/\/prizrenpost.com\/tr\/wp-json\/wp\/v2\/posts\/24196","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/prizrenpost.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/prizrenpost.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/prizrenpost.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/prizrenpost.com\/tr\/wp-json\/wp\/v2\/comments?post=24196"}],"version-history":[{"count":1,"href":"https:\/\/prizrenpost.com\/tr\/wp-json\/wp\/v2\/posts\/24196\/revisions"}],"predecessor-version":[{"id":24198,"href":"https:\/\/prizrenpost.com\/tr\/wp-json\/wp\/v2\/posts\/24196\/revisions\/24198"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/prizrenpost.com\/tr\/wp-json\/wp\/v2\/media\/24197"}],"wp:attachment":[{"href":"https:\/\/prizrenpost.com\/tr\/wp-json\/wp\/v2\/media?parent=24196"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/prizrenpost.com\/tr\/wp-json\/wp\/v2\/categories?post=24196"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/prizrenpost.com\/tr\/wp-json\/wp\/v2\/tags?post=24196"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}