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B\u00fcy\u00fck Arnavut akt\u00f6r Ko\u00e7o Qendro, bu Cumartesi g\u00fcn\u00fc 99 ya\u015f\u0131nda vefat etti. Kor\u00e7a ve Arnavutluk’un sahip olduklar\u0131 i\u00e7in \u015fansl\u0131 oldu\u011fu ola\u011fan\u00fcst\u00fc boyutlardaki bir sanat\u00e7\u0131, g\u00f6zlerini sonsuza kadar kapatt\u0131.<\/p>\n
Delvina’n\u0131n Senic\u00eb k\u00f6y\u00fcnde do\u011fan Ko\u00e7o Q\u00ebndro, g\u00fcn\u00fcm\u00fcz nesillerinden olduk\u00e7a farkl\u0131 bir gen\u00e7lik ya\u015fad\u0131. Sava\u015f y\u0131llar\u0131nda hen\u00fcz ergenlik \u00e7a\u011f\u0131ndayken partizan oldu ve Kor\u00e7a il\u00e7esindeki \u00e7at\u0131\u015fmalara kat\u0131ld\u0131.<\/p>\n
Her ne kadar hayali \u00f6\u011fretmen olmak olsa da hayat onu ba\u015fka bir yola, sanat yoluna s\u00fcr\u00fckledi ve burada silinmez bir iz b\u0131rakt\u0131.<\/p>\n
60’l\u0131 y\u0131llar\u0131n ba\u015f\u0131nda Estrada i Maliqi’nin oyuncusu olarak \u00f6ne \u00e7\u0131kt\u0131 ve ard\u0131ndan bir daha sahneden ayr\u0131lmamak \u00fczere Kor\u00e7a tiyatro grubuna kat\u0131ld\u0131. Tiyatro, pop ve sinema alan\u0131nda onlarca rolle yer alan Ko\u00e7o Q\u00ebndro, Arnavut halk\u0131n\u0131n en sevilen isimlerinden biri haline geldi.<\/p>\n
Halk\u0131n haf\u0131zas\u0131nda unutulmaz kalan roller aras\u0131nda Shakespeare’in “On \u0130kinci Gece”sindeki Sir Endrju Egui\u00e7ik ve Moliere’nin “A\u00e7g\u00f6zl\u00fcl\u00fck” adl\u0131 eserindeki Harpagon gibi e\u015fsiz bir ustal\u0131kla sahneye \u00e7\u0131kard\u0131\u011f\u0131 karakterler yer al\u0131yor.<\/p>\n
92 ya\u015f\u0131nda olmas\u0131na ra\u011fmen “Kopracin”i Kor\u00e7a sahnesine geri getirerek sanat\u0131n onun i\u00e7in ya\u015f\u0131n\u0131n olmad\u0131\u011f\u0131n\u0131 kan\u0131tlad\u0131. Sinematografide \u00e7ok y\u00f6nl\u00fc bir oyuncu olarak portresini tamamlayan karakter yorumlar\u0131yla damgas\u0131n\u0131 vurmu\u015ftur.<\/p>\n
The Face (1976) filminde, d\u00f6nemin t\u00fcccar tipolojisini \u00f6zg\u00fcn bir \u015fekilde ortaya koyan Sefedini (de\u011firmen sahibi) rol\u00fcyle \u00f6ne \u00e7\u0131kar. Bu filmdeki \u015fakas\u0131: Bizim e\u011fitimsiz helbetliler oldu\u011fumuza dikkat etmiyor musunuz, ama bilmek istedim, bizi aptal yerine mi koyuyorsunuz?, \u00e7o\u011fu zaman en pop\u00fcler pasajlar\u0131ndan biri olarak g\u00f6steriliyor.<\/p>\n
Ayr\u0131ca “The Decision” (1984) filminde Aleks Xinxa rol\u00fcyle ve ayr\u0131ca “The Eighth in Bronze” (1970) ve “Vitet e” filmlerinde \u00f6nemli katk\u0131larda bulundu. e” (1965). Filmdeki pasajlar\u0131n her biri, ister dramatik ister komik olsun, her fig\u00fcre hayat veren nadir bir do\u011fall\u0131k ve esneklikle karakterize ediliyor.<\/p>\n
Ko\u00e7o Qendro, itiraflar\u0131nda, Arnavutluk sahnesinin tarihine damgas\u0131n\u0131 vuran Piro Mani, Dhimit\u00ebr Orgocka, Pandi Raidhi ve Sokrat Mio gibi Arnavut tiyatrosunun b\u00fcy\u00fck isimleriyle yapt\u0131\u011f\u0131 i\u015fbirli\u011fini b\u00fcy\u00fck bir duyguyla hat\u0131rlad\u0131.<\/p>\n
Kaynak: prizrenpost<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" B\u00fcy\u00fck Arnavut akt\u00f6r Ko\u00e7o Qendro, bu Cumartesi g\u00fcn\u00fc 99 ya\u015f\u0131nda vefat etti. Kor\u00e7a ve Arnavutluk’un sahip olduklar\u0131 i\u00e7in \u015fansl\u0131 oldu\u011fu ola\u011fan\u00fcst\u00fc boyutlardaki bir sanat\u00e7\u0131, g\u00f6zlerini sonsuza kadar kapatt\u0131. Delvina’n\u0131n Senic\u00eb k\u00f6y\u00fcnde do\u011fan Ko\u00e7o Q\u00ebndro, g\u00fcn\u00fcm\u00fcz nesillerinden olduk\u00e7a farkl\u0131 bir gen\u00e7lik ya\u015fad\u0131. Sava\u015f y\u0131llar\u0131nda hen\u00fcz ergenlik \u00e7a\u011f\u0131ndayken partizan oldu ve Kor\u00e7a il\u00e7esindeki \u00e7at\u0131\u015fmalara kat\u0131ld\u0131. Her ne […]<\/p>\n","protected":false},"author":1,"featured_media":55349,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-55348","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur"],"_links":{"self":[{"href":"https:\/\/prizrenpost.com\/tr\/wp-json\/wp\/v2\/posts\/55348","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/prizrenpost.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/prizrenpost.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/prizrenpost.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/prizrenpost.com\/tr\/wp-json\/wp\/v2\/comments?post=55348"}],"version-history":[{"count":1,"href":"https:\/\/prizrenpost.com\/tr\/wp-json\/wp\/v2\/posts\/55348\/revisions"}],"predecessor-version":[{"id":55350,"href":"https:\/\/prizrenpost.com\/tr\/wp-json\/wp\/v2\/posts\/55348\/revisions\/55350"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/prizrenpost.com\/tr\/wp-json\/wp\/v2\/media\/55349"}],"wp:attachment":[{"href":"https:\/\/prizrenpost.com\/tr\/wp-json\/wp\/v2\/media?parent=55348"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/prizrenpost.com\/tr\/wp-json\/wp\/v2\/categories?post=55348"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/prizrenpost.com\/tr\/wp-json\/wp\/v2\/tags?post=55348"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}